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The Real George EliotJune Skye Szirotny

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George Eliot Fellowship Essay Poster 2022George Eliot Fellowship

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Notes on Contributors 2022George Eliot Review

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Editor's Note 2022

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Japanese Branch ReportNane Hama

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Books Received 2022

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Chairman's Annual Report for 2021John Burton

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Review of Josephine McDonagh's Literature in a Time of Migration: British Fiction and the Movement of People, 1815-1876John Rignall

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Review of Elaine Auyoung's When Fiction Feels Real: Representation and the Reading MindGeorgia Walton

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Review of Katherine Judith Anderson's Twisted Words, Torture and Liberalism in Imperial BritainA.G. van den Broek

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Review of Robert Muscutt's The Orange Hatchback and the Secret Recollections of George EliotMargaret Harris

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Review of BBC Radio 3's The Middlemarch Monologues, 20 March 2022Gail Marshall

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Review of Coventry's The Great Middlemarch Mystery, 7-10 April 2022Lucy Hobbs

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Review of Abbey Theatre's The Undoing of Polly Button, 19/20 February 2022Sheila Woolf

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'The Make-Believe of a Beginning': A Reading of Silas MarnerGill Gregory

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Review of Franco Marucci's George Eliot's 'The Lifted Veil', A Sequential and Contextual ReadingBrenda McKay

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The Photograph(s) of George EliotBeverley Park Rilett

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Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny LewaldEve Mason

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You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of ToponmyDelphine Gatehouse

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The Importance of Location in the Portrayal of Rachel Posyer and Dinah Morris in Adam BedeRobert Muscutt

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'Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)Connor Page

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Front Matter 2022: 53

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