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Books Received 2022

2022

Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)

Page, Connor

2022

Chairman's Annual Report for 2021

Burton, John

2022

Editor's Note 2022

2022

Front Matter 2022: 53

2022

George Eliot Fellowship Essay Poster 2022

2022

Japanese Branch Report

Hama, Nanae

2022

Notes on Contributors 2022

2022

Review of Abbey Theatre's The Undoing of Polly Button, 19/20 February 2022

Woolf, Sheila

2022

Review of BBC Radio 3's The Middlemarch Monologues, 20 March 2022

Marshall, Gail

2022

Review of Coventry's The Great Middlemarch Mystery, 7-10 April 2022

Hobbs, Lucy

2022

Review of Elaine Auyoung's When Fiction Feels Real: Representation and the Reading Mind

Walton, Georgia

2022

Review of Franco Marucci's George Eliot's 'The Lifted Veil', A Sequential and Contextual Reading

McKay, Brenda

2022

Review of Josephine McDonagh's Literature in a Time of Migration: British Fiction and the Movement of People, 1815-1876

Rignall, John

2022

Review of Katherine Judith Anderson's Twisted Words, Torture and Liberalism in Imperial Britain

Broek, A. G. van den

2022

Review of Robert Muscutt's The Orange Hatchback and the Secret Recollections of George Eliot

Harris, Margaret

2022

Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny Lewald

Mason, Eve

2022

The Importance of Location in the Portrayal of Rachel Posyer and Dinah Morris in Adam Bede

Muscutt, Robert

2022

The Make-Believe of a Beginning': A Reading of Silas Marner

Gregory, Gill

2022

The Photograph(s) of George Eliot

Rilett, Beverley Park

2022

The Real George Eliot

Szirotny, June Skye

2022

You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of Toponomy

Gatehouse, Delphine

2022