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Front Matter 2022: 53

            2022         
'Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)Connor Page

            2022         
The Importance of Location in the Portrayal of Rachel Posyer and Dinah Morris in Adam BedeRobert Muscutt

            2022         
You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of ToponmyDelphine Gatehouse

            2022         
Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny LewaldEve Mason

            2022         
The Photograph(s) of George EliotBeverley Park Rilett

            2022         
Review of Franco Marucci's George Eliot's 'The Lifted Veil', A Sequential and Contextual ReadingBrenda McKay

            2022         
'The Make-Believe of a Beginning': A Reading of Silas MarnerGill Gregory

            2022         
Review of Abbey Theatre's The Undoing of Polly Button, 19/20 February 2022Sheila Woolf

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Review of Coventry's The Great Middlemarch Mystery, 7-10 April 2022Lucy Hobbs

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Review of BBC Radio 3's The Middlemarch Monologues, 20 March 2022Gail Marshall

            2022         
Review of Robert Muscutt's The Orange Hatchback and the Secret Recollections of George EliotMargaret Harris

            2022         
Review of Katherine Judith Anderson's Twisted Words, Torture and Liberalism in Imperial BritainA.G. van den Broek

            2022         
Review of Elaine Auyoung's When Fiction Feels Real: Representation and the Reading MindGeorgia Walton

            2022         
Review of Josephine McDonagh's Literature in a Time of Migration: British Fiction and the Movement of People, 1815-1876John Rignall

            2022         
Chairman's Annual Report for 2021John Burton

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Books Received 2022

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Japanese Branch ReportNane Hama

            2022         
Editor's Note 2022

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George Eliot Fellowship Essay Poster 2022George Eliot Fellowship

            2022         
The Real George EliotJune Skye Szirotny

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