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Editor's Note

            2022         
Japanese Branch ReportNane Hama

            2022         
Books Received

            2022         
Chairman's Annual Report for 2021John Burton

            2022         
[Review] Josephine McDongah, Literature in a Time of Migration: British Fiction and the Movement of PeopleJohn Rignall

            2022         
[Review] Elain Auyoung, When Fiction Feels Real: Representation and the Reading MindGeorgia Walton

            2022         
[Review] Katherine Judith Anderson, Twisted Words, Torture and Liberalism in Imperial BritainA.G. van den Broek

            2022         
[Review] Robert, Muscutt, The Orange Hatchback and the Secret Recollections of George EliotMargaret Harris

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[Review] The Middlemarch MonologuesGail Marshall

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[Review] The Great Middlemarch MysteryLucy Hobbs

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[Review] The Undoing of Polly ButtonSheila Woolf

            2022         
The Make-Believe of a Beginning': A Reading of Silas MarnerGill Gregory

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[Review] Franco Marucci, George Eliot's 'The Lifted Veil': A Sequential and Contextual ReadingBrenda McKay

            2022         
The Photograph(s) of George EliotBeverley Park Rilett

            2022         
Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny LewaldEve Mason

            2022         
You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of ToponmyDelphine Gatehouse

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The Importance of Location in the Portyal of Rachel Posyer and Dinah Morris in Adam BedeRobert Muscutt

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Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)Connor Page

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Front Matter

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