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'Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)Connor Page

            2022         
'The Make-Believe of a Beginning': A Reading of Silas MarnerGill Gregory

            2022         
Address at the George Eliot Birthday Luncheon Weston Hall Hotel, Bulkington, 20 November 2022Jonathan Ouvry

            2023         
Books Received 2022

            2022         
Chairman's Annual Report for 2021John Burton

            2022         
Chairman's Annual Report for 2022John Burton

            2023         
Coming to Conclusions in MiddlemarchRosemary Ashton

            2023         
Editor's Note 2022

            2022         
Foleshill Friends: George Eliot and Mary Sibree CashSimon Sargent

            2023         
Front Matter 2022: 53

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Front Matter 2023: 54Editors, GER

            2023         
George Eliot Fellowship Essay Poster 2023George Eliot Fellowship

            2023         
George Eliot, Middlemarch, and CoventryDavid Paterson

            2023         
Japanese Branch ReportNane Hama

            2022         
Note: Maggie Tulliver in the South SeasMargaret Harris

            2023         
Notes on Contributors 2023Editors, GER

            2023         
Revelation Through Dissimulation: The Relevance of Pseudonymity in George Eliot's WritingsYohko Nagai

            2023         
Review of Abbey Theatre's The Undoing of Polly Button, 19/20 February 2022Sheila Woolf

            2022         
Review of BBC Radio 3's The Middlemarch Monologues, 20 March 2022Gail Marshall

            2022         
Review of Clare Carlisle's The Marriage Question: George Eliot's Double Life. A Philosophical Search for George Eliot's Figure in the CarpetBeverley Park Rilett

            2023         
Review of Coventry's The Great Middlemarch Mystery, 7-10 April 2022Lucy Hobbs

            2022         
Review of Elaine Auyoung's When Fiction Feels Real: Representation and the Reading MindGeorgia Walton

            2022         
Review of Franco Marucci's George Eliot's 'The Lifted Veil', A Sequential and Contextual ReadingBrenda McKay

            2022         
Review of Jillian M. Hess's How Romantics and Victorians Organized Information. Commonplace Books, Scrapbooks, and AlbumsJoanne Shattock

            2023         
Review of Josephine McDonagh's Literature in a Time of Migration: British Fiction and the Movement of People, 1815-1876John Rignall

            2022         
Review of Katherine Judith Anderson's Twisted Words, Torture and Liberalism in Imperial BritainA.G. van den Broek

            2022         
Review of Margaret Harris' and Matthew Sussman's Antipodean George EliotJohn Rignall

            2023         
Review of Meg Dobbins's Queer Economic Dissonance and Victorian LiteratureBrenda McKay

            2023         
Review of Nancy Yousef's The Aesthetic Commonplace: Eliot, Wittgenstein and the Language of Every DayA. G. van den Broek

            2023         
Review of Robert Muscutt's The Orange Hatchback and the Secret Recollections of George EliotMargaret Harris

            2022         
Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny LewaldEve Mason

            2022         
The Conflict Between Originality and Conventionality: The Liberated Individual in The Mill on the Floss and J. S. Mill's On LibertyKunyu Tan

            2023         
The Importance of Location in the Portrayal of Rachel Posyer and Dinah Morris in Adam BedeRobert Muscutt

            2022         
The Photograph(s) of George EliotBeverley Park Rilett

            2022         
The Real George EliotJune Skye Szirotny

            2022         
You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of ToponmyDelphine Gatehouse

            2022         