George Eliot and the Discourses of Medievalism argues that Eliot abandons realism in her last two novels in favour of medievalism, and that recognizing the presence and function of medieval discourses in Middlemarch and Daniel Deronda enables…
Arguably the most problematic episode of Romola for the novel's reviewers and critics is Romola's imitation of Boccaccio's heroine Costanza (or Gostanza) in the two chapters 'Drifting Away' and 'Romola's Waking'; even Romola's most favourable early…
