Skip to main content

George Eliot Review Issue 53: 2022

The George Eliot Review Online (ISSN 2831-5375) publishes the digital edition of the George Eliot Review. Editors of the George Eliot Review are Antony van den Broek and John Rignall. Digital Editor is Beverley Park Rilett. This is Issue 53: 2022.

Front Matter

Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)

Connor Page

The Importance of Location in the Portyal of Rachel Posyer and Dinah Morris in Adam Bede

Robert Muscutt

You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of Toponmy

Delphine Gatehouse

Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny Lewald

Eve Mason

The Photograph(s) of George Eliot

Beverley Park Rilett

[Review] Franco Marucci, George Eliot's 'The Lifted Veil': A Sequential and Contextual Reading

Brenda McKay

The Make-Believe of a Beginning': A Reading of Silas Marner

Gill Gregory

[Review] The Undoing of Polly Button

Sheila Woolf

[Review] The Great Middlemarch Mystery

Lucy Hobbs

[Review] The Middlemarch Monologues

Gail Marshall

[Review] Robert, Muscutt, The Orange Hatchback and the Secret Recollections of George Eliot

Margaret Harris

[Review] Katherine Judith Anderson, Twisted Words, Torture and Liberalism in Imperial Britain

A.G. van den Broek

[Review] Elain Auyoung, When Fiction Feels Real: Representation and the Reading Mind

Georgia Walton

[Review] Josephine McDongah, Literature in a Time of Migration: British Fiction and the Movement of People

John Rignall

Chairman's Annual Report for 2021

John Burton

Books Received

Japanese Branch Report

Nane Hama

Editor's Note

View all 19 items